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Have
you ever wondered how guitarists
like Joe Pass, Wes Montgomery,
and George Benson find such full,
luscious voicings for their chord
melody playing? Well, much of
that sound is based on the "Drop
2" principle of chord voicings.
Jazz
Guitar Voicings Vol 1:
The Drop 2 Book by
veteran guitarist Randy
Vincent explains exactly
how you can get that same
sound, too!
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Buy
this Book $25.00 
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| This book has
sections that cover: |
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All the basic principals of
drop 2 melody harmonization
including passing tones and
extension tones as well as
basic chord tones.
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Practical,
guitar-friendly methods for
creating hip, modern sounds
by "tweaking" the
basic drop 2 voicings. |
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Clear methods
for soloing and comping in
drop 2, including melodic
enclosures, special guitar-oriented
chromatic effects, and a
system of modal drop 2 harmony. |
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An organized
practice routine, including
fingerboard diagrams as well
as standard notation, to
fully develop all the concepts
mentioned above in a hands-on
approach, with a minimum
of theory. |
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You will find that this
book covers this essential
material in a unique way
unlike any other guitar book
available today. |
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$25 price indudes book
and 2 CDs of the author demonstrating
each exercise.
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Sample
Pages:
Table
of Contents 
Chapter
1
Chapter
3  |
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| Sample
Tracks: |
Click  to
play track sample. |
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| Endorsements: |
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I'm
so thrilled to see a book
by my greatest teacher,
Randy Vincent!! Randy's deep musical
and theoretical understanding
of the guitar have been
invaluable
to me. His book provides
insight into the orchestral
qualities of the guitar
and how to apply this knowledge
to any musical context.” —
Julian Lage
Like
many people, I didn't know
what 'drop 2' meant until
now! But Randy Vincent
has done a wonderful job in putting
together a very systematic
and comprehensive book
that
will be of great value
to all guitarists that want
to develop and improve
their chord melody playing. I might
just use some of these
tasty
voicings myself!” — Barry
Finnerty Randy
Vincent has drawn on his
decades of experience as
a guitarist and teacher
to create a very useful book
of chord voicings. The
material is well presented, and
the
wealth of material is placed
in context to allow the
serious student to absorb everything.
I found Randy's book really
helpful. I will use it
as
a reference myself, and
will recommend it highly to all
of my friends and students.” — John
Stowell Randy
Vincent presents the inner
workings of the 'drop 2'
voicing for guitar more
comprehensively than other publications
I
have encountered. All the
examples are written out
clearly and explained in
great detail. This book
is an invaluable aid to any
guitarist that desires
to look more deeply into the
study of jazz harmony with
an emphasis on the most
practical and commonly used voicing,
the 'drop 2.' It's clear
that Randy has put his
heart
and soul into this great
work, as it reflects so
much musical wisdom.” — Larry
Koonse Randy's
playing speaks for itself
and now this intelligent
and fascinating contribution
to guitar literature seals
his reputation as a fine
educator too.” — Mimi
Fox This
is a very unique book focused
on 4-note voicings for the
guitar. The chapters are
well organized with lots
of interesting voicing examples
of jazz standard melodies.
Especially the "tweaking" techniques
are inspiring. Also the attached
CDs are a great help. Recommended!!” — Satoshi
Inoue I
think the book is very
well thought-out and thorough.
It's everything you could
ever want to know about
drop 2 voicings. I especially
like the included CDs where
Randy plays the examples.
Thanks!” — Steve
Masakowski Great
book. I will be adding
this one as a required text for
my students.” — Vic
Juris |
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“Three-Note Voicings and Beyond” reveals
everything about three-note jazz guitar
voicings and related topics for everyone
from intermediate newcomers to jazz guitar
to very advanced players. The book develops
a unique “dynamic” concept
of harmony where three independently
moving lines team up to create beautiful
harmonies that are valuable for comping,
chord melodies and chordal jazz improvizations.
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Buy
this Book $28.00
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| A complete
guide to three-note jazz guitar
voicings and related topics for
everyone from intermediate newcomers
to jazz guitar up to very advanced
players. The book develops a unique "dynamic" concept
of harmony where three independently
moving lines team up to create
beautiful harmonies that are valuable
for comping, chord melodies and
chordal jazz improvisations. Topics
include: |
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Three-note "shell" voicings
and special derived comp voicings |
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Compete triad review
including all close and open
inversions on all strings |
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A section on developing "walking" guitar
voicings, harmonized bass lines
perfect for accompaniment in
situations where no bass or keyboard
is present |
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Sections on triad
applications such as "slash" chords,
Upper Structures, hexatonic triad-pairs
and special "hybrid" voicings |
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Quartal and Secundal
voicings perfect for modal comping
and soloing |
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Drop-2 reductions
perfect for melody harmonizations |
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Envious of pianists
using lush "Shearing" style
block chords? Here's a complete
method to develop a realistic
simulation on guitar. |
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Plus much more!
Hundreds and hundreds of examples
in both music notation and guitar
grids |
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Sample
Pages:
Chapter 1
- Three-Note "Shell" Voicings 
Walking
the Blues 
Chapter
8 - Quartal
Harmony
and Secundal
Harmony |
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| Endorsements: |
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What
a great book! Randy Vincent has
given us a huge amount of the “stuff” we
guitar players can use when
we’re “in action,” listening
and reacting to what’s going
on around us. This is so practical
- and so rare! Thanks, Randy!” — Jim
Hall
Randy
Vincent is an extraordinary musician
who also happens to play the
guitar. With this book, he gives
a real life approach to voicing
chords on the instrument that
will allow both the student and
the professional a clear way
to illuminate harmonies in the
most sensible and transparent
way. With almost every student
I have had I have stressed the
issue of getting the most mileage
out of the least notes whenever
possible. This book lays it out
in clear and concise terms.” — Pat
Metheny
This
book is full of essential information
for jazz guitarists at any level.
It's beautifully put together.
Very logical and easy to understand.
A wonderful book.” — Mike
Stern
I
can't imagine a more thorough,
organized approach to three-note
voicings. This book will be an
invaluable asset to any serious
student of jazz guitar.” — Ben
Monder
Looks
like another winner. ... I look
forward to using this with my
students ... Congrats. ” — Vic
Juris
An
absolutely necessary book for
the aspiring jazz guitarist.” — Mark
Levine
One
of the most difficult but gratifying
aspects of guitar performance
is to be able to go beyond single
line playing and involve melodic
and harmonic improvising, simultaneously.
These studies open the door,
and are a foundation for this
total kind of creativity.” — Gene
Bertoncini
This
book is amazing. It shines a
light on the incredible potential
of 3-note voicings, and their
ability to imply the most colorful
and vivid harmonic landscapes.
Randy illuminates the path of
discovery in the most natural
and eloquent way, guiding you
into how to practice and implement
these concepts in real life musical
scenarios. I consider the topics
explored in this book to be the
foundation of how I like to look
at harmony on the guitar. From
triad pairs to the way he discusses
harmonizing melodies, I feel
Randy offers the finest and most
comprehensive course for the
modern guitarist. Thank you Randy!” — Julian
Lage
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Do you wonder why lots of practice on
scales and arpeggios hasn't made you
feel fluent and creative when soloing?
If so, then this book is the missing
link for you!
Line Games is an organized series
of practical studies for the development
of single-note guitar technique and
jazz vocabulary simultaneously.
Many examples are transcribed from
the recorded solos of great jazz guitarists
(Wes Montgomery, Pat Martino, Joe
Pass, etc.) and then the book gives
you the tools to develop complete
fluency in creating similar lines
on your own!
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Buy
this Book $30.00
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| This book has
sections that cover: |
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Basic
six-note scales commonly used
by the jazz greats. |
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How to use all
of the chromatic notes to make
playing "inside" the
chord changes sound more interesting
and melodic. |
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Triad pairs for
modern-sounding lines, as used
by all the great players from
Coltrane on. |
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Exercises that
will give you the tools to create
many interesting chord extensions
from a few simple arpeggios. |
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How to build long
lines across many chord changes. |
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How to use thematic
development for more cohesive
solos. |
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Fingerings often
given to aid in getting these
lines under your fingers. |
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Plus much more! |
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Sample
Pages:
Applying the Hexatonics to Altered V7
Chords Resolving to I Chords 
Descending
lines resolving to the
ninth of the I chord 
A
classic three-note cell 
Table of Contents  |
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| Endorsements: |
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Randy
Vincent's Line Games is a serious,
well-conceived book on jazz guitar.
It has a tremendous amount of useful
information which can be truly
helpful to guitarists seeking thorough
knowledge and training in jazz
music.” —
Kenny Burrell
This
book is probably the most complete
explanation of linear improvisation
as applied to the guitar that
I have come across. Randy Vincent
goes into his subjects, which
include a novel take on hexatonic
applications, chromatic neighbor
tones, and various scale forms
and arpeggios, with unprecedented
thoroughness. It is also refreshing
to see the emphasis on thematic
development, and I like how some
of the great recorded guitar
solos are often used as illustrative
examples. I highly recommend
it.” —
Ben Monder
This
book is full of great ideas about
a very important subject! It
is well organized and the examples
are clear and very musical. There
is very useful and user-friendly
information here that shows the
player the concepts behind creating
of lines. This book will have
players of all levels thinking
in new ways.” —
Peter Bernstein
Randy
has come up with another Winner.
This is one of the most comprehensive
studies I have ever encountered
concerning single line improvisation!” —
Vic Juris
With
all the books on jazz improvisation
available I didn't think it was
possible to find one that offers
a new perspective but Randy Vincent's
Line Games does just that. It's
a great book! There are many
real- world examples of players
using the archetypal bebop hexatonic
sound and many examples of ways
to practice and utilize the sound.
In suggesting ways of practicing
and using the scale Randy gets
you started, but it's up to the
reader to strike out on their
own — in my opinion the
best way to really grasp a sound
or concept. There is a whole
lot of material here and I'm
looking forward to working with
it for a long time. Thanks, Randy!!” —
Bruce Saunders
With
the plethora jazz guitar books
on the market today, one must
sort through dozens to find one
that yields the results of a
tried and true method for learning
to play jazz as applied to the
guitar. I was pleasantly surprised
to find a new book that I feel
to have such qualities. This
being the jazz guitar book written
by Randy Vincent called Line
Games for Sher Music Co. Inside,
you'll find dozens of examples,
explanations, techniques, and
the application of the jazz language
employed by all the great jazz
guitarists we know and love.
Great job, Randy!” —
Henry Johnson
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Cover mosaic art created
by Sueann Bettison Sher of Cocci & Idee.
Inquiries about commissioned work
should be directed to Sueann at mosaics@sonic.net |
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